{"id":726,"date":"2023-08-19T10:48:02","date_gmt":"2023-08-19T08:48:02","guid":{"rendered":"https:\/\/danielmaillet.ch\/?page_id=726"},"modified":"2023-10-03T12:23:45","modified_gmt":"2023-10-03T10:23:45","slug":"sculpture-till23-gres-statues-portraits","status":"publish","type":"page","link":"https:\/\/danielmaillet.ch\/index.php\/sculpture-till23-gres-statues-portraits\/","title":{"rendered":"Sculpture till’23 Gres statues portraits"},"content":{"rendered":"\n

Gres statues portraits<\/h2><\/div><\/div><\/div>\n\n\n\n
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\u201cHakam\u00e1 in Seiza\u201d
2003, Fortaleza, CE, Brazil
Terra cotta,\u00a0bisquit 800\u00b0 Celcius
in the wood-fired oven of Heitor Mendes<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cHakam\u00e1 in Seiza\u201d
2009, Cunha, SP, Brazil
Gres sculpture, fired at 1300\u00b0 Celcius
in the Noborigama kiln of Galv\u00e3o e Campos
Natural patina on Kimono and Tenmoku enamel on Hakama
H.78 x L.68 x P.75 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cHakam\u00e1 in Seiza\u201d Detail<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cHakam\u00e1 in Seiza\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cZ\u00e9, Jos\u00e9 Antonio Rigo\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cZ\u00e9, Jos\u00e9 Antonio Rigo\u201d
2009, Cunha, SP, Brazil
Gres sculpture, fired at 1320\u00b0 Celcius in\u00a0
noborigama kiln of Galv\u00e3o e Campos
smalto bianco sul tessuto
H. 92,5 x L 79 x P. 61 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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\u201cZ\u00e9, Jos\u00e9 Antonio Rigo\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph II. lying down holding her foot\u201d
2009, Cunha, SP, Brazil
L.G. opaque white glazed skirt
Sintered clay at 1280\u00b0, burned in the Tokay gas kiln
H. 41 x L. 83 x P. 52,5 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph II. lying down holding her foot\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph II. lying down holding her foot\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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 \u201cNinfa III on the cushion\u201d
Un-fired sculpture, green clay
Atelier Bairro Falc\u00e3o<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNinfa III on the cushion\u201d
2009, Cunha, SP, Brazil
Gres sculpture, wood fired at 1320\u00b0 Celsius
in noborigama kiln of Alberto Cidraes
Figure surface with natural patina, cushion and skirt are glassed,
iron oxide decoration on the skirt,
H. 43,5 x L.87,4 x P. 55,5 cm
Natural size, life modeled
Private collection<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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\u201cNinfa III on the cushion\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNinfa III on the cushion\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Loading the shuttle gas sculpture kiln, Cunha, SP, Brazil<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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After firing<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph IV reading\u201d
2017, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius.
Figure surface with natural patina, other parts with green celadon and tenmoku glaze,
separate book with white shino
Parallelepiped embedded in the figure with shino slip
H. 139,5 x 54 x 56,5 cm. Matrices for lost-wax bronze castings
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph IV reading\u201d Detail<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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\u201cNymph IV reading\u201d Detail<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cNymph IV\u201d in the background, \u201cNamoradeira branca\u201d in the foreground<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cJudith: work in progress; model posing\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cJudith and Holofernes\u201d
2017, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln, 1280\u02da
H. 95 x 56 x 66 cm
Portrait of Holofernes separated, white clay, fired in a wood-fired kiln
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cJudith and bull\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cLigia filha do Agu\u00e9, Vodun das ervas\u201d
2018, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius
Natural patina in reduction
H. 80,5 x 86,5 x 76,5 cm
Erlenmeyerkolben<\/em> separate in the left hand
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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\u201cLigia filha do Agu\u00e9, Vodun das ervas\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cLigia filha do Agu\u00e9, Vodun das ervas\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cLigia filha do Agu\u00e9, Vodun das ervas\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Atelier environment with figures<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Sketches for the Last Soldier<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Work in progress for the last soldier<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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\u201cThe last soldier\u201d
2019, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius
Natural patina in reduction
H. 186 x 73 x 30 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cThe last soldier\u201d Detail<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Sketches for Carol<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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A moment of work in progress for Carol’s sculpture<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cCarol\u201d
2018, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius
Natural patina in reduction
H.171 x 57 x 45 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u00a0\u201cCristina\u201d
2019, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius
Natural patina in reduction
H.146,5 x 60,5 x 48 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n<\/section>\n\n\n\n
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Daniel working at torso with raised feed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cFemale torso with raised feet\u201d
2018, Cunha, SP, Brazil
Gres sculpture, fired in gas kiln at 1260 degrees Celsius
Natural patina in reduction
h.117 x 55 x 97 cm
Matrices for lost-wax bronze castings<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u201cFemale torso with raised feet\u201d<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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