{"id":540,"date":"2023-08-18T09:45:23","date_gmt":"2023-08-18T07:45:23","guid":{"rendered":"https:\/\/danielmaillet.ch\/?page_id=540"},"modified":"2023-09-30T14:42:42","modified_gmt":"2023-09-30T12:42:42","slug":"engraving-till02-drypoint-engravings","status":"publish","type":"page","link":"https:\/\/danielmaillet.ch\/index.php\/engraving-till02-drypoint-engravings\/","title":{"rendered":"Engraving till\u201902 Drypoint engravings"},"content":{"rendered":"\n

Drypoint engravings<\/h2><\/div><\/div><\/div>\n\n\n\n
<\/div>

\u201cIl volto dell\u2019architetto\u201d
Self-published by Daniel Maillet, Verscio,
Switzerland,
1999.
25 drypoint engravings on copper plates, 315 x 315 mm, printed on Magnani paper by La Tavolozza, Milano. The buttonhole, title page, index, colophon are included.
An Ingres paper notebook, 160 x 160 mm is inserted in the inside flap of the folder, with writings by: Annalisa Zumthor-Cuorad, Jacques Gubler, Helga Leiprecht and Leonard Zanier.
The case 620 x 620 mm is hand-crafted in wood and cardboard, at Legatoria Morra e Lazzarin, Mestre, Venezia.
The print run of the work is limited to 35 copies with arabic numerals and an edition of 10 copies with Roman numerals.
The portraits are shown in order of execution:<\/p><\/div><\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
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\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
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Fabio Reinhart<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Luigi Snozzi<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Mario Botta<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Alfred Roth<\/figcaption><\/figure><\/div>\n<\/div>\n<\/section>\n\n\n\n
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Ernst Gisel<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Ivano Gianola<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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In\u00e8s Lamuni\u00e8re<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Patrick Devanth\u00e9ry<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Aurelio Galfetti<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Livio Vacchini<\/figcaption><\/figure><\/div>\n<\/div>\n<\/section>\n\n\n\n
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Tita Carloni<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Alfredo Pini<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Marie Claude Betrix<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Eraldo Consolascio<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Fritz Haller<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Peter Zumthor<\/figcaption><\/figure><\/div>\n<\/div>\n<\/section>\n\n\n\n
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Paul Waltenspuhl<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Roger Diener<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Jakob Zweifel<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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\"\"
Katharina Steib<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Wilfried Steib<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Lisbeth Sachs<\/figcaption><\/figure><\/div>\n<\/div>\n<\/section>\n\n\n\n
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Theo Hotz<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Flora Ruchat-Roncati<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Alberto Camenzind<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
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