{"id":423,"date":"2023-08-14T18:39:35","date_gmt":"2023-08-14T16:39:35","guid":{"rendered":"https:\/\/danielmaillet.ch\/?page_id=423"},"modified":"2023-09-30T15:01:33","modified_gmt":"2023-09-30T13:01:33","slug":"pub-and-papers-exhibits","status":"publish","type":"page","link":"https:\/\/danielmaillet.ch\/index.php\/pub-and-papers-exhibits\/","title":{"rendered":"Pub and papers &#8216;Exhibits&#8217;"},"content":{"rendered":"\n<div class=\"wp-block-uagb-info-box uagb-block-02dc4bd4 uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h2 class=\"uagb-ifb-title\">Exhibits <\/h2><\/div><p class=\"uagb-ifb-desc\"><br>Mostre daniel maillet 1973 \u2013 2022<br><br>SOME SOLO EXHIBITIONS &#8211; MAILLET<br>2022 \u201cTropicos\u201d Sala Municipale Conte Amico, Castell\u2019Alfero AT Italia.<br>2015 \u201cQuando a xilogravura interpreta o teatro\u201d Espa\u00e7o Cultural dos Correios, Fortaleza, Brasil.<br>2012 \u201cDaniel Maillet\u201d Galleria Fondazione Gruppo Credito Valtellinese, Sondrio, Italia.<br>2009 \u201cDaniel Maillet, Oltre la forma fuori dal tempo\u201d, Oratorio di San Rocco, Padova Italia.<br>2007 \u201cOutdoors and Vernissage\u201d, Tognetti\/auto\/culturale, Gordola TI Svizzera.<br>2006 \u201cArtista Invasor-Po\u00e7o da Draga\u201d, MAC-CE, Museu de Arte Contempor\u00e2nea, Fortaleza Brasil.<br>2005 \u201cEntre dois Hemisf\u00e9rios\u201d, Centro Cultural Banco do Nordeste, Fortaleza CE Brasil..<br>2004 \u201dEquador de vida\u201d (brazilian works), Centro culturale La Fabbrica, Losone TI Svizzera.<br>1999 \u201cFigura e disegno\u201d, Galleria La Loggia, Carona TI Svizzera.<br>1999 \u201cLeo Maillet &amp; Daniel Maillet\u201d, Gallerie Kulturfokus, Stockholm Sweden.<br>1999 \u201cIl volto dell\u2019architetto\u201d, Architektur Forum, Z\u00fcrich Schweiz,<br>1998 \u201cDaniel Maillet, Portrait und K\u00f6rper\u201c Bilderstube Leuebr\u00fcggli, Langenthal Schweiz.<br>1997 \u201cCorpus Gravidum\u201d Museo Regionale delle Centovalli, Intragna<br>1996 \u201cI quattro volti di Daniel Maillet\u201d, Galleria Zurigo Assicurazioni, Locarno TI Svizzera.<br>1995 \u201cRetratos Baianos\u201d, Instituto Goethe, Galeria do ICBA, Salvador Brazil.<br>1993 \u201dDaniel Maillet, Ritratti, Personae\u201d, Spazio XXI, Bellinzona TI Svizzera,<br>1992 \u201cImmagini e oggetti per viaggiare\u201d, Spazio Tognetti Auto, Locarno TI Svizzera<br>1991 \u201cMaschere\u201d, Galleria Zurigo Assicurazioni, Ascona TI Svizzera.<br>1989 \u201cTorsi\u201d, Azimut Club, Turino Italia.<br>1987 \u201cRitratti\u201d, Galleria C\u00e0 dal Portic, Locarno TI Svizzera.<br>1976 \u201cFiori\u201d, Galleria Rondelli, Bellinzona TI Svizzera.<br><br><br>SOME COLLECTIVE EXHIBITIONS IN BRASIL<br>2019 \u201cXII\u00b0 Festival de ceramica de Cunha\u201d, Cunha SP Brasil.<br>2018-2020 \u201cQuinta Ess\u00eancia\u201d, Galeria de Arte Cer\u00e2mica, Cunha SP Brasil.<br>2018 \u201cGiuditta e Oloferne\u201d, Galeria-Atelier Kislansky, S\u00e3o Paulo Brasil.<br>2014 \u201cArte da Terra\u201d, Espa\u00e7o cultural Sebrae, Garatinguet\u00e0 Brasil.<br>2011 \u201cA arte que nasce da terra\u201d, Espa\u00e7o Cultural Conjunto national, S\u00e3o Paulo Brasil.<br>2011 \u201cMar de Morros\u201d &#8211; II Exposition, Espa\u00e7o Cultural Parque Lavap\u00e9s, Cunha, SP (BR)<br>2009 \u201cpottery exposition\u201d, Instituto de Cer\u00e2mica de Cunha (ICCC) and Sebrae, Cunha, SP (BR).<br>2008 \u201cNus\u201d, Galeria Slaviero &amp; Guedes, S\u00e3o Paulo Brasil.<br>2008 \u201cArt and pottery\u201d, Galeria Tokai, Cunha, SP Brasil.<br>2006 \u201c57o Sal\u00e3o de Abril\u201d, Fortaleza Brazil.<br>2006 \u201cExpress\u00f5es Cearenses\u201d, Galeria de Arte Vicente Leite. Fortaleza Brazil.<br>2005 \u201c56o Sal\u00e3o de Abril\u201d, Galeria Antonio Bandeira, Fortaleza Brazil.<br>2004 \u201c1a Bienal Internacional Cear\u00e1 de Gravura\u201d, Fortaleza Brazil.<br>2004 \u201cExposi\u00e7\u00e3o\u201d Galeria Pal\u00e1cio da Aboli\u00e7\u00e3o, Curitiba Brazil.<br>2004 \u201cArte diversos tamanhos\u201d, Artefato A2P2C, Fortaleza Brazil.<br>2004 \u201cIIIa Exposi\u00e7\u00e3o\u201d, Centro Cultural Obo\u00e9.<br>2003 \u201cSal\u00e3o de escultura Z\u00e9\u201d Pinto, Fortaleza Brazil,<br>2003 \u201c54o Sal\u00e3o de Abril\u201d, Galeria Antonio Bandeira. Fortaleza Brazil,<br>2002 \u201cVerso e Reverso\u201d, Maria Redonda, Fortaleza Brazil.<br><br><br>SOME COLLECTIVE EXHIBITION IN EUROPE<br>2022 \u201cII\u00b0 Biennale\u201d Asti Art Gallery, Asti, Italia.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"disabled","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-423","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/danielmaillet.ch\/index.php\/author\/h6280654\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/pages\/423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/comments?post=423"}],"version-history":[{"count":3,"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/pages\/423\/revisions"}],"predecessor-version":[{"id":3200,"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/pages\/423\/revisions\/3200"}],"wp:attachment":[{"href":"https:\/\/danielmaillet.ch\/index.php\/wp-json\/wp\/v2\/media?parent=423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}